{"id":644,"date":"2022-11-02T13:10:14","date_gmt":"2022-11-02T12:10:14","guid":{"rendered":"https:\/\/blogs.ugr.es\/migra-cin-es\/?page_id=644"},"modified":"2022-11-02T13:15:04","modified_gmt":"2022-11-02T12:15:04","slug":"court-metrage","status":"publish","type":"page","link":"https:\/\/blogs.ugr.es\/migra-cin-es\/fr\/court-metrage\/","title":{"rendered":"Court-m\u00e9trage"},"content":{"rendered":"

 <\/p>\n

Courts m\u00e9trages \u00abespagnols\u00bb enregistr\u00e9s dans la base de donn\u00e9es FilmAffinity<\/a> (et d’autres bases de donn\u00e9es) qui traitent du ph\u00e9nom\u00e8ne de la migration (1990-2022). Le tri se fait par ann\u00e9e de cr\u00e9ation<\/strong><\/h3>\n

 <\/p>\n\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

Titre<\/strong><\/h4>\n<\/td>\n

\n

Ann\u00e9e<\/strong><\/h4>\n<\/td>\n

\n

Direction<\/strong><\/h4>\n<\/td>\n

\n

Producteur<\/strong><\/h4>\n<\/td>\n<\/tr>\n

Estrecho Adventure<\/td>\n1996<\/td>\nValeriano L\u00f3pez Dom\u00ednguez<\/td>\nDescarte Films S.L<\/td>\n<\/tr>\n
Pase negro<\/td>\n1998<\/td>\nPatxi Barko<\/td>\nREC<\/td>\n<\/tr>\n
Mar de cemento<\/td>\n2000<\/td>\nLuis \u00c1ngel Ram\u00edrez<\/td>\nImval Madrid<\/td>\n<\/tr>\n
El extra<\/td>\n2003<\/td>\nAlberto Pernet<\/td>\n<\/td>\n<\/tr>\n
Usar y tirar<\/td>\n2003<\/td>\nDaniel Garc\u00eda-Pablos<\/td>\nECAM<\/td>\n<\/tr>\n
Amigo no gima<\/td>\n2004<\/td>\nI\u00f1aki Pe\u00f1afiel<\/td>\nMarkab Creativos<\/td>\n<\/tr>\n
Y\u00e1kar (Esperanza)<\/td>\n2004<\/td>\nGuillermo Sempere<\/td>\nAudiovisuales del Monte<\/td>\n<\/tr>\n
El ni\u00f1o que jugaba con trenes<\/td>\n2004<\/td>\nJorge Blas<\/td>\nAlgolpe S.L.<\/td>\n<\/tr>\n
Mercanc\u00edas<\/td>\n2005<\/td>\nSantiago A. Zannou<\/td>\nCentre d’Estudis Cinematogr\u00e0fics de Catalunya (CECC)<\/td>\n<\/tr>\n
Nana<\/td>\n2005<\/td>\nJos\u00e9 Javier Rodr\u00edguez Melc\u00f3n<\/td>\nEnigma Films<\/td>\n<\/tr>\n
Hiyab<\/td>\n2005<\/td>\nXavi Sala<\/td>\nXavi Sala<\/td>\n<\/tr>\n
Bota de oro<\/td>\n2005<\/td>\nRam\u00f3n Tarr\u00e9s, Jos\u00e9 Luis Baringo<\/td>\nFeng Shui Films S.L<\/td>\n<\/tr>\n
El viaje de Said<\/td>\n2006<\/td>\nCoke Riob\u00f3o<\/td>\nJazzy Producciones S.L, Tembleque Producciones<\/td>\n<\/tr>\n
Madrid-Mosc\u00fa<\/td>\n2007<\/td>\nJavier San Rom\u00e1n<\/td>\nChinatown Producciones<\/td>\n<\/tr>\n
Salom\u00f3n<\/td>\n2007<\/td>\nIgnacio Lasierra<\/td>\nJos\u00e9 Luis Lasierra<\/td>\n<\/tr>\n
Machu Picchu<\/td>\n2008<\/td>\nHatem Khraiche<\/td>\nVideoenlace<\/td>\n<\/tr>\n
On the Line (S)<\/td>\n2008<\/td>\nJon Gara\u00f1o<\/td>\nMoriarti Produkzioak<\/td>\n<\/tr>\n
Miente (S)<\/td>\n2008<\/td>\nIsabel de Ocampo<\/td>\nProducciones L\u00edquidas<\/td>\n<\/tr>\n
Cuesti\u00f3n de suerte (S)<\/td>\n2009<\/td>\nJorge Laplace<\/td>\nLa Claqueta PC<\/td>\n<\/tr>\n
Hemisferio (S)<\/td>\n2010<\/td>\nLuis Mar\u00eda Ferr\u00e1ndez<\/td>\nProducciones Embrujadas<\/td>\n<\/tr>\n
La broma (S)<\/td>\n2010<\/td>\nLuis Arenas<\/td>\nECAM<\/td>\n<\/tr>\n
Metropolis Ferry (S)<\/td>\n2010<\/td>\nJuan Gautier<\/td>\nSmiz and Pixel<\/td>\n<\/tr>\n
Cuando corres (S)<\/td>\n2010<\/td>\nMikel Rueda<\/td>\nEnigma Films, Mediagrama, Mediamancha<\/td>\n<\/tr>\n
Ella (S)<\/td>\n2011<\/td>\nJuan Montes de Oca<\/td>\nUniversidad de las Islas Baleares<\/td>\n<\/tr>\n
SUB (S)<\/td>\n2012<\/td>\nJossie Malis<\/td>\nParamotion Films, Zumbakamera<\/td>\n<\/tr>\n
Ngutu (S)<\/td>\n2012<\/td>\nFelipe del Olmo, Daniel Valledor<\/td>\nOpium Films<\/td>\n<\/tr>\n
La boda (S)<\/td>\n2012<\/td>\nMarina Seresesky<\/td>\nMeridional Producciones<\/td>\n<\/tr>\n
El Rayo<\/td>\n2013<\/td>\nFran Ara\u00fajo, Ernesto de Nova<\/td>\nCoproducci\u00f3n Espa\u00f1a-Portugal-Marruecos;<\/td>\n<\/tr>\n
Jazm\u00edn (S)<\/td>\n2013<\/td>\nJulio de la Fuente<\/td>\nLa Luna Producciones<\/td>\n<\/tr>\n
Abayomi (S)<\/td>\n2015<\/td>\nGuillermo L\u00f3pez L\u00f3pez<\/td>\n<\/td>\n<\/tr>\n
Exilios<\/td>\n2015<\/td>\nJoan \u00c1lvarez Llad\u00f3s<\/td>\nLa F\u00e1brica<\/td>\n<\/tr>\n
Un capodanno particolare (S)<\/td>\n2016<\/td>\nCarlos Bouvier<\/td>\nCarlos Bouvier<\/td>\n<\/tr>\n
Barcelone Bar Barsakh (S)<\/td>\n2016<\/td>\nNacho Gil Cid De Diego, Cristina Vergara Sequeiro<\/td>\n<\/td>\n<\/tr>\n
Express (S)<\/td>\n2016<\/td>\nCarlos Olalla, Juan Herreros<\/td>\nNext Project<\/td>\n<\/tr>\n
Tout le monde aime le bord de la mer (S)<\/td>\n2016<\/td>\nKeina Espi\u00f1eira<\/td>\n<\/td>\n<\/tr>\n
Un lugar (S)<\/td>\n2016<\/td>\nIv\u00e1n Fern\u00e1ndez De C\u00f3rdoba<\/td>\nSinMuros Films<\/td>\n<\/tr>\n
Pasapalabra (S)<\/td>\n2016<\/td>\nAndrea Testini<\/td>\nMediahead Audiovisual<\/td>\n<\/tr>\n
Mi amigo Naim (S)<\/td>\n2017<\/td>\nJos\u00e9 Luis L\u00f3pez Ortiz<\/td>\nPunto y Aparte<\/td>\n<\/tr>\n
Khuruf (S)<\/td>\n2018<\/td>\nKepa Sojo<\/td>\n<\/td>\n<\/tr>\n
Tahrib (S)<\/td>\n2018<\/td>\nGerard Vidal Cort\u00e9s<\/td>\nESCAC Films<\/td>\n<\/tr>\n
Maras (C)<\/td>\n2019<\/td>\nSalvador Calvo<\/td>\nGlobomedia<\/td>\n<\/tr>\n
Bye Bye Bridges (S)<\/td>\n2019<\/td>\nEstanis Ba\u00f1uelos<\/td>\nCoproducci\u00f3n Espa\u00f1a-Reino Unido; BaBian Studio, Edinburgh University<\/td>\n<\/tr>\n
Los p\u00e1jaros del sur (S)<\/td>\n2019<\/td>\nGonzalo Gonz\u00e1lez Undurraga<\/td>\nAS Cinema<\/td>\n<\/tr>\n
Europa<\/td>\n2019<\/td>\nSergio Duce Maestro<\/td>\n<\/td>\n<\/tr>\n
El m\u00e1rtir (S)<\/td>\n2020<\/td>\nFernando Pomares<\/td>\nTravelogue Studio<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

  Courts m\u00e9trages \u00abespagnols\u00bb enregistr\u00e9s dans la base de donn\u00e9es FilmAffinity (et d’autres bases de donn\u00e9es) qui traitent du ph\u00e9nom\u00e8ne de la migration (1990-2022). Le tri se fait par ann\u00e9e de cr\u00e9ation   Titre Ann\u00e9e Direction Producteur Estrecho Adventure 1996 Valeriano L\u00f3pez Dom\u00ednguez Descarte Films S.L Pase negro 1998 Patxi Barko REC Mar de cemento… Leer m\u00e1s acerca de Court-m\u00e9trage<\/span><\/a><\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[],"tags":[],"class_list":{"0":"post-644","1":"page","2":"type-page","3":"status-publish","5":"entry"},"_links":{"self":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/comments?post=644"}],"version-history":[{"count":3,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/644\/revisions"}],"predecessor-version":[{"id":647,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/644\/revisions\/647"}],"wp:attachment":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/media?parent=644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/categories?post=644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/tags?post=644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}