{"id":660,"date":"2022-11-02T13:38:06","date_gmt":"2022-11-02T12:38:06","guid":{"rendered":"https:\/\/blogs.ugr.es\/migra-cin-es\/?page_id=660"},"modified":"2022-11-02T13:38:06","modified_gmt":"2022-11-02T12:38:06","slug":"documentaries","status":"publish","type":"page","link":"https:\/\/blogs.ugr.es\/migra-cin-es\/en\/documentaries\/","title":{"rendered":"Documentaries"},"content":{"rendered":"

 <\/p>\n\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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Title<\/h4>\n<\/td>\n

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Year<\/h4>\n<\/td>\n

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Direction<\/h4>\n<\/td>\n

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Producer<\/h4>\n<\/td>\n<\/tr>\n

El viaje de Ibrahima<\/td>\n2000<\/td>\nCarles Caparr\u00f3s, Daniel Hern\u00e1ndez<\/td>\nAlea Docs & Films<\/td>\n<\/tr>\n
Balseros<\/td>\n2002<\/td>\nCarles Bosch, Josep Maria Dom\u00e9nech<\/td>\nBausan Films, Buenavida producciones, Televisi\u00f3n de Galicia (TVG)<\/td>\n<\/tr>\n
Cuatro puntos cardinales<\/td>\n2002<\/td>\nManuel Mart\u00edn Cuenca, Jos\u00e9 Manuel Campos, Pilar Garc\u00eda Elegido, Natalia D\u00edaz<\/td>\nMorena Films<\/td>\n<\/tr>\n
El tren de la memoria<\/td>\n2005<\/td>\nMarta Arribas, Ana P\u00e9rez<\/td>\nProducciones La Iguana S.L, Oasis P.C<\/td>\n<\/tr>\n
Inshallah Europa (La \u00daltima Frontera)<\/td>\n2005<\/td>\nDavid Fontseca<\/td>\nProduccions RODA VISUAL<\/td>\n<\/tr>\n
Ojos negros<\/td>\n2005<\/td>\nMassimiliano Vana<\/td>\nCoproducci\u00f3n Espa\u00f1a-Bulgaria; Ladafilm<\/td>\n<\/tr>\n
Bienvenido mister Kaita (Bienvenido Mr. Kaita)<\/td>\n2006<\/td>\nAlbert Albacete<\/td>\nALEA TV, RTVE<\/td>\n<\/tr>\n
Catalunya negra<\/td>\n2006<\/td>\nGilbert-Ndunga Nsangata<\/td>\nAlea Docs & Films<\/td>\n<\/tr>\n
El norte (entre el infinito y la nada)<\/td>\n2006<\/td>\nLino Varela<\/td>\n<\/td>\n<\/tr>\n
Nuevos espa\u00f1oles<\/td>\n2007<\/td>\nFernando Ampuero<\/td>\nCo.Eficiente.\u00a0 Distribuidora: RTVE<\/td>\n<\/tr>\n
Into the Shadows<\/td>\n2013<\/td>\nPep Bonet<\/td>\n<\/td>\n<\/tr>\n
Los caminos de Aissa<\/td>\n2013<\/td>\nRolando D\u00edaz<\/td>\nLuna Llena Producciones SL, Ventura Films<\/td>\n<\/tr>\n
Manzanas, pollos y quimeras<\/td>\n2013<\/td>\nIn\u00e9s Par\u00eds<\/td>\nFundaci\u00f3n Mujeres por \u00c1frica<\/td>\n<\/tr>\n
Pettring<\/td>\n2013<\/td>\nEloy Dom\u00ednguez Ser\u00e9n<\/td>\n<\/td>\n<\/tr>\n
A Legacy of Smoke<\/td>\n2014<\/td>\nLuis Argeo, James D. Fern\u00e1ndez<\/td>\nWhite Stone Ridge Productions<\/td>\n<\/tr>\n
El llanto de la gacela<\/td>\n2014<\/td>\nMaritza Garc\u00eda, Marius Wehrli<\/td>\nTV3<\/td>\n<\/tr>\n
En tierra extra\u00f1a<\/td>\n2014<\/td>\nIc\u00edar Bolla\u00edn<\/td>\nTormenta Films<\/td>\n<\/tr>\n
La puerta azul<\/td>\n2015<\/td>\nAlicia Medina<\/td>\nDiodo Media<\/td>\n<\/tr>\n
Las l\u00e1grimas de \u00c1frica<\/td>\n2015<\/td>\nAmparo Climent<\/td>\n<\/td>\n<\/tr>\n
Muros<\/td>\n2015<\/td>\nPablo Iraburu, Migueltxo Molina<\/td>\nArena Comunicaci\u00f3n, Txalap.Art<\/td>\n<\/tr>\n
Sole\u00e1, els n\u00e9ts dels altres catalans<\/td>\n2015<\/td>\nMarc Hern\u00e1ndez, Maria Llin\u00e1s, Natalia Morales, Marta Vivet<\/td>\n<\/td>\n<\/tr>\n
Astral<\/td>\n2016<\/td>\nJordi \u00c9vole, Ram\u00f3n Lara<\/td>\nAtresmedia Televisi\u00f3n, Salvados, Producciones del Barrio<\/td>\n<\/tr>\n
Contramarea<\/td>\n2016<\/td>\nCarlos Esca\u00f1o<\/td>\n<\/td>\n<\/tr>\n
Dresden refuge<\/td>\n2016<\/td>\nXuban Intxausti<\/td>\nCoproducci\u00f3n Espa\u00f1a-Alemania; Mediapro Studios<\/td>\n<\/tr>\n
Messages at the Border<\/td>\n2016<\/td>\nXuban Intxausti<\/td>\nMediapro Studios<\/td>\n<\/tr>\n
Tarajal: Desmontando la impunidad en la frontera sur<\/td>\n2016<\/td>\nXavier Artigas, Xapo Ortega<\/td>\nMetromuster, Observatori DESC<\/td>\n<\/tr>\n
To Kyma. Rescat al mar Egeu<\/td>\n2016<\/td>\nArantza Diez, David Fontseca<\/td>\nLa Kaseta, Televisi\u00f3n de Galicia (TVG)<\/td>\n<\/tr>\n
Argentina<\/td>\n2017<\/td>\nJoaqu\u00edn Hermo<\/td>\nECAM<\/td>\n<\/tr>\n
Atenas. Meeting point<\/td>\n2017<\/td>\nCarmen PG Granxeiro<\/td>\n<\/td>\n<\/tr>\n
Espa\u00f1oles en el exilio<\/td>\n2017<\/td>\nRub\u00e9n Hornillo<\/td>\nYo Creo Content<\/td>\n<\/tr>\n
Invierno en Europa<\/td>\n2017<\/td>\nPolo Men\u00e1rguez<\/td>\nMordisco Films<\/td>\n<\/tr>\n
La plomada (The Weight of Remembering)<\/td>\n2017<\/td>\nLuis Argeo, James D. Fern\u00e1ndez<\/td>\nCoproducci\u00f3n Espa\u00f1a-Estados Unidos; White Stone Ridge Productions, Centro Espa\u00f1ol de Tampa<\/td>\n<\/tr>\n
No puedo volver a casa<\/td>\n2017<\/td>\nJordi Vilar<\/td>\n<\/td>\n<\/tr>\n
Samba, un nombre borrado<\/td>\n2017<\/td>\nMariano Agudo<\/td>\nCoproducci\u00f3n Espa\u00f1a-Marruecos-Senegal; Intermedia Producciones<\/td>\n<\/tr>\n
Ahir\/Dem\u00e1<\/td>\n2018<\/td>\nRa\u00fal Riebenbauer<\/td>\nWaterdrop Films<\/td>\n<\/tr>\n
Hu\u00e9rfanos del olvido<\/td>\n2018<\/td>\nLino Varela<\/td>\n<\/td>\n<\/tr>\n
Idrissa, cr\u00f3nica de una muerte cualquiera<\/td>\n2018<\/td>\nXavier Artigas, Xapo Ortega<\/td>\nMetromuster, Polar Star Films<\/td>\n<\/tr>\n
Nuestra vida como ni\u00f1os refugiados en Europa<\/td>\n2018<\/td>\nSilvia Venegas Venegas<\/td>\nMaking DOC Producciones<\/td>\n<\/tr>\n
Barzakh<\/td>\n2019<\/td>\nAlejandro G. Salgado<\/td>\nLa Maleta Creacion Cultural<\/td>\n<\/tr>\n
El sue\u00f1o europeo: Serbia<\/td>\n2019<\/td>\nJaime Alekos<\/td>\n<\/td>\n<\/tr>\n
Entre dos tierras<\/td>\n2019<\/td>\nJavier Moreno Caballero<\/td>\n<\/td>\n<\/tr>\n
No nacimos refugiados<\/td>\n2019<\/td>\nClaudio Zulian<\/td>\nActeon SCCL, TV3<\/td>\n<\/tr>\n
Paseko txoriak<\/td>\n2019<\/td>\nJuanmi Guti\u00e9rrez<\/td>\nZazpi T’erdi<\/td>\n<\/tr>\n
Varados<\/td>\n2019<\/td>\nHelena Taberna<\/td>\nLamia Producciones<\/td>\n<\/tr>\n
#boza<\/td>\n2020<\/td>\nAnna Surinyach, S\u00e9verine Sajous<\/td>\nColectivo 5w<\/td>\n<\/tr>\n
Cartas mojadas<\/td>\n2020<\/td>\nPaula Palacios<\/td>\nMorada Films. Productor: Isabel Coixet<\/td>\n<\/tr>\n
El Camino<\/td>\n2020<\/td>\nJos\u00e9 Manuel Col\u00f3n<\/td>\nAlquimistas Producciones<\/td>\n<\/tr>\n
Fent les Am\u00e8riques<\/td>\n2020<\/td>\nPedro Salom Cald\u00e9s<\/td>\n<\/td>\n<\/tr>\n
Para\u00edso<\/td>\n2020<\/td>\nMateo Cabeza<\/td>\n<\/td>\n<\/tr>\n
Vidas menores<\/td>\n2020<\/td>\nAlfredo Torrescalles<\/td>\nFascina Producciones<\/td>\n<\/tr>\n
Aita Mari<\/td>\n2021<\/td>\nJavi Julio<\/td>\nNervio Film & Foto<\/td>\n<\/tr>\n
Bienvenidos a Espa\u00f1a<\/td>\n2021<\/td>\nJuan Antonio Moreno Amador<\/td>\nMaking DOC Producciones<\/td>\n<\/tr>\n
Burned Souls<\/td>\n2021<\/td>\nAdri Salido, Gian Marco Benedetto<\/td>\n<\/td>\n<\/tr>\n
LA QueenCia\u00f1era<\/td>\n2021<\/td>\nPedro Peira<\/td>\n<\/td>\n<\/tr>\n
Las nadie<\/td>\n2021<\/td>\nElisa Mart\u00edn Gomez<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

  Title Year Direction Producer El viaje de Ibrahima 2000 Carles Caparr\u00f3s, Daniel Hern\u00e1ndez Alea Docs & Films Balseros 2002 Carles Bosch, Josep Maria Dom\u00e9nech Bausan Films, Buenavida producciones, Televisi\u00f3n de Galicia (TVG) Cuatro puntos cardinales 2002 Manuel Mart\u00edn Cuenca, Jos\u00e9 Manuel Campos, Pilar Garc\u00eda Elegido, Natalia D\u00edaz Morena Films El tren de la memoria… Leer m\u00e1s acerca de Documentaries<\/span><\/a><\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[],"tags":[],"class_list":{"0":"post-660","1":"page","2":"type-page","3":"status-publish","5":"entry"},"_links":{"self":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/comments?post=660"}],"version-history":[{"count":1,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/660\/revisions"}],"predecessor-version":[{"id":661,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/660\/revisions\/661"}],"wp:attachment":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/media?parent=660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/categories?post=660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/tags?post=660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}