{"id":664,"date":"2022-11-02T13:42:17","date_gmt":"2022-11-02T12:42:17","guid":{"rendered":"https:\/\/blogs.ugr.es\/migra-cin-es\/?page_id=664"},"modified":"2022-11-02T13:43:07","modified_gmt":"2022-11-02T12:43:07","slug":"documentairo","status":"publish","type":"page","link":"https:\/\/blogs.ugr.es\/migra-cin-es\/it\/documentairo\/","title":{"rendered":"Documentairo"},"content":{"rendered":"

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Documentari \u00abspagnoli\u00bb registrati nel database Filmaffinity<\/a> (e altri database) che si occupano del fenomeno migratorio (1990-2022). L’ordinamento \u00e8 stato effettuato per anno di creazione<\/h3>\n

 <\/p>\n\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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Titolo<\/h4>\n<\/td>\n

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Anno<\/h4>\n<\/td>\n

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Regia<\/h4>\n<\/td>\n

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Produttore<\/h4>\n<\/td>\n<\/tr>\n

El viaje de Ibrahima<\/td>\n2000<\/td>\nCarles Caparr\u00f3s, Daniel Hern\u00e1ndez<\/td>\nAlea Docs & Films<\/td>\n<\/tr>\n
Balseros<\/td>\n2002<\/td>\nCarles Bosch, Josep Maria Dom\u00e9nech<\/td>\nBausan Films, Buenavida producciones, Televisi\u00f3n de Galicia (TVG)<\/td>\n<\/tr>\n
Cuatro puntos cardinales<\/td>\n2002<\/td>\nManuel Mart\u00edn Cuenca, Jos\u00e9 Manuel Campos, Pilar Garc\u00eda Elegido, Natalia D\u00edaz<\/td>\nMorena Films<\/td>\n<\/tr>\n
El tren de la memoria<\/td>\n2005<\/td>\nMarta Arribas, Ana P\u00e9rez<\/td>\nProducciones La Iguana S.L, Oasis P.C<\/td>\n<\/tr>\n
Inshallah Europa (La \u00daltima Frontera)<\/td>\n2005<\/td>\nDavid Fontseca<\/td>\nProduccions RODA VISUAL<\/td>\n<\/tr>\n
Ojos negros<\/td>\n2005<\/td>\nMassimiliano Vana<\/td>\nCoproducci\u00f3n Espa\u00f1a-Bulgaria; Ladafilm<\/td>\n<\/tr>\n
Bienvenido mister Kaita (Bienvenido Mr. Kaita)<\/td>\n2006<\/td>\nAlbert Albacete<\/td>\nALEA TV, RTVE<\/td>\n<\/tr>\n
Catalunya negra<\/td>\n2006<\/td>\nGilbert-Ndunga Nsangata<\/td>\nAlea Docs & Films<\/td>\n<\/tr>\n
El norte (entre el infinito y la nada)<\/td>\n2006<\/td>\nLino Varela<\/td>\n<\/td>\n<\/tr>\n
Nuevos espa\u00f1oles<\/td>\n2007<\/td>\nFernando Ampuero<\/td>\nCo.Eficiente.\u00a0 Distribuidora: RTVE<\/td>\n<\/tr>\n
Into the Shadows<\/td>\n2013<\/td>\nPep Bonet<\/td>\n<\/td>\n<\/tr>\n
Los caminos de Aissa<\/td>\n2013<\/td>\nRolando D\u00edaz<\/td>\nLuna Llena Producciones SL, Ventura Films<\/td>\n<\/tr>\n
Manzanas, pollos y quimeras<\/td>\n2013<\/td>\nIn\u00e9s Par\u00eds<\/td>\nFundaci\u00f3n Mujeres por \u00c1frica<\/td>\n<\/tr>\n
Pettring<\/td>\n2013<\/td>\nEloy Dom\u00ednguez Ser\u00e9n<\/td>\n<\/td>\n<\/tr>\n
A Legacy of Smoke<\/td>\n2014<\/td>\nLuis Argeo, James D. Fern\u00e1ndez<\/td>\nWhite Stone Ridge Productions<\/td>\n<\/tr>\n
El llanto de la gacela<\/td>\n2014<\/td>\nMaritza Garc\u00eda, Marius Wehrli<\/td>\nTV3<\/td>\n<\/tr>\n
En tierra extra\u00f1a<\/td>\n2014<\/td>\nIc\u00edar Bolla\u00edn<\/td>\nTormenta Films<\/td>\n<\/tr>\n
La puerta azul<\/td>\n2015<\/td>\nAlicia Medina<\/td>\nDiodo Media<\/td>\n<\/tr>\n
Las l\u00e1grimas de \u00c1frica<\/td>\n2015<\/td>\nAmparo Climent<\/td>\n<\/td>\n<\/tr>\n
Muros<\/td>\n2015<\/td>\nPablo Iraburu, Migueltxo Molina<\/td>\nArena Comunicaci\u00f3n, Txalap.Art<\/td>\n<\/tr>\n
Sole\u00e1, els n\u00e9ts dels altres catalans<\/td>\n2015<\/td>\nMarc Hern\u00e1ndez, Maria Llin\u00e1s, Natalia Morales, Marta Vivet<\/td>\n<\/td>\n<\/tr>\n
Astral<\/td>\n2016<\/td>\nJordi \u00c9vole, Ram\u00f3n Lara<\/td>\nAtresmedia Televisi\u00f3n, Salvados, Producciones del Barrio<\/td>\n<\/tr>\n
Contramarea<\/td>\n2016<\/td>\nCarlos Esca\u00f1o<\/td>\n<\/td>\n<\/tr>\n
Dresden refuge<\/td>\n2016<\/td>\nXuban Intxausti<\/td>\nCoproducci\u00f3n Espa\u00f1a-Alemania; Mediapro Studios<\/td>\n<\/tr>\n
Messages at the Border<\/td>\n2016<\/td>\nXuban Intxausti<\/td>\nMediapro Studios<\/td>\n<\/tr>\n
Tarajal: Desmontando la impunidad en la frontera sur<\/td>\n2016<\/td>\nXavier Artigas, Xapo Ortega<\/td>\nMetromuster, Observatori DESC<\/td>\n<\/tr>\n
To Kyma. Rescat al mar Egeu<\/td>\n2016<\/td>\nArantza Diez, David Fontseca<\/td>\nLa Kaseta, Televisi\u00f3n de Galicia (TVG)<\/td>\n<\/tr>\n
Argentina<\/td>\n2017<\/td>\nJoaqu\u00edn Hermo<\/td>\nECAM<\/td>\n<\/tr>\n
Atenas. Meeting point<\/td>\n2017<\/td>\nCarmen PG Granxeiro<\/td>\n<\/td>\n<\/tr>\n
Espa\u00f1oles en el exilio<\/td>\n2017<\/td>\nRub\u00e9n Hornillo<\/td>\nYo Creo Content<\/td>\n<\/tr>\n
Invierno en Europa<\/td>\n2017<\/td>\nPolo Men\u00e1rguez<\/td>\nMordisco Films<\/td>\n<\/tr>\n
La plomada (The Weight of Remembering)<\/td>\n2017<\/td>\nLuis Argeo, James D. Fern\u00e1ndez<\/td>\nCoproducci\u00f3n Espa\u00f1a-Estados Unidos; White Stone Ridge Productions, Centro Espa\u00f1ol de Tampa<\/td>\n<\/tr>\n
No puedo volver a casa<\/td>\n2017<\/td>\nJordi Vilar<\/td>\n<\/td>\n<\/tr>\n
Samba, un nombre borrado<\/td>\n2017<\/td>\nMariano Agudo<\/td>\nCoproducci\u00f3n Espa\u00f1a-Marruecos-Senegal; Intermedia Producciones<\/td>\n<\/tr>\n
Ahir\/Dem\u00e1<\/td>\n2018<\/td>\nRa\u00fal Riebenbauer<\/td>\nWaterdrop Films<\/td>\n<\/tr>\n
Hu\u00e9rfanos del olvido<\/td>\n2018<\/td>\nLino Varela<\/td>\n<\/td>\n<\/tr>\n
Idrissa, cr\u00f3nica de una muerte cualquiera<\/td>\n2018<\/td>\nXavier Artigas, Xapo Ortega<\/td>\nMetromuster, Polar Star Films<\/td>\n<\/tr>\n
Nuestra vida como ni\u00f1os refugiados en Europa<\/td>\n2018<\/td>\nSilvia Venegas Venegas<\/td>\nMaking DOC Producciones<\/td>\n<\/tr>\n
Barzakh<\/td>\n2019<\/td>\nAlejandro G. Salgado<\/td>\nLa Maleta Creacion Cultural<\/td>\n<\/tr>\n
El sue\u00f1o europeo: Serbia<\/td>\n2019<\/td>\nJaime Alekos<\/td>\n<\/td>\n<\/tr>\n
Entre dos tierras<\/td>\n2019<\/td>\nJavier Moreno Caballero<\/td>\n<\/td>\n<\/tr>\n
No nacimos refugiados<\/td>\n2019<\/td>\nClaudio Zulian<\/td>\nActeon SCCL, TV3<\/td>\n<\/tr>\n
Paseko txoriak<\/td>\n2019<\/td>\nJuanmi Guti\u00e9rrez<\/td>\nZazpi T’erdi<\/td>\n<\/tr>\n
Varados<\/td>\n2019<\/td>\nHelena Taberna<\/td>\nLamia Producciones<\/td>\n<\/tr>\n
#boza<\/td>\n2020<\/td>\nAnna Surinyach, S\u00e9verine Sajous<\/td>\nColectivo 5w<\/td>\n<\/tr>\n
Cartas mojadas<\/td>\n2020<\/td>\nPaula Palacios<\/td>\nMorada Films. Productor: Isabel Coixet<\/td>\n<\/tr>\n
El Camino<\/td>\n2020<\/td>\nJos\u00e9 Manuel Col\u00f3n<\/td>\nAlquimistas Producciones<\/td>\n<\/tr>\n
Fent les Am\u00e8riques<\/td>\n2020<\/td>\nPedro Salom Cald\u00e9s<\/td>\n<\/td>\n<\/tr>\n
Para\u00edso<\/td>\n2020<\/td>\nMateo Cabeza<\/td>\n<\/td>\n<\/tr>\n
Vidas menores<\/td>\n2020<\/td>\nAlfredo Torrescalles<\/td>\nFascina Producciones<\/td>\n<\/tr>\n
Aita Mari<\/td>\n2021<\/td>\nJavi Julio<\/td>\nNervio Film & Foto<\/td>\n<\/tr>\n
Bienvenidos a Espa\u00f1a<\/td>\n2021<\/td>\nJuan Antonio Moreno Amador<\/td>\nMaking DOC Producciones<\/td>\n<\/tr>\n
Burned Souls<\/td>\n2021<\/td>\nAdri Salido, Gian Marco Benedetto<\/td>\n<\/td>\n<\/tr>\n
LA QueenCia\u00f1era<\/td>\n2021<\/td>\nPedro Peira<\/td>\n<\/td>\n<\/tr>\n
Las nadie<\/td>\n2021<\/td>\nElisa Mart\u00edn Gomez<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

    Documentari \u00abspagnoli\u00bb registrati nel database Filmaffinity (e altri database) che si occupano del fenomeno migratorio (1990-2022). L’ordinamento \u00e8 stato effettuato per anno di creazione   Titolo Anno Regia Produttore El viaje de Ibrahima 2000 Carles Caparr\u00f3s, Daniel Hern\u00e1ndez Alea Docs & Films Balseros 2002 Carles Bosch, Josep Maria Dom\u00e9nech Bausan Films, Buenavida producciones,… Leer m\u00e1s acerca de Documentairo<\/span><\/a><\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[],"tags":[],"class_list":{"0":"post-664","1":"page","2":"type-page","3":"status-publish","5":"entry"},"_links":{"self":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/comments?post=664"}],"version-history":[{"count":2,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/664\/revisions"}],"predecessor-version":[{"id":666,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/664\/revisions\/666"}],"wp:attachment":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/media?parent=664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/categories?post=664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/tags?post=664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}