{"id":679,"date":"2022-11-02T13:55:07","date_gmt":"2022-11-02T12:55:07","guid":{"rendered":"https:\/\/blogs.ugr.es\/migra-cin-es\/?page_id=679"},"modified":"2022-11-03T19:20:03","modified_gmt":"2022-11-03T18:20:03","slug":"fiction-2","status":"publish","type":"page","link":"https:\/\/blogs.ugr.es\/migra-cin-es\/en\/fiction-2\/","title":{"rendered":"Fiction"},"content":{"rendered":"\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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Title<\/h4>\n<\/td>\n

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Year<\/h4>\n<\/td>\n

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Direction<\/h4>\n<\/td>\n

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Producer<\/h4>\n<\/td>\n<\/tr>\n

Las cartas de Alou<\/td>\n1990<\/td>\nMontxo Armend\u00e1riz<\/td>\nEl\u00edas Querejeta<\/td>\n<\/tr>\n
El techo del mundo<\/td>\n1994<\/td>\nFelipe Vega<\/td>\nCoproducci\u00f3n Espa\u00f1a-Suiza-Francia; Marea Films, Samsa Film, Cocodrile Productions, Roehrich y Asociados<\/td>\n<\/tr>\n
Bwana<\/td>\n1996<\/td>\nImanol Uribe<\/td>\nAurum, Cartel, Origen PC<\/td>\n<\/tr>\n
Lucrecia<\/td>\n1996<\/td>\nMariano Barroso<\/td>\nAurum; Central de Producciones Audiovisuales S.L.; Max TV<\/td>\n<\/tr>\n
Menos que cero<\/td>\n1996<\/td>\nErnesto Teller\u00eda<\/td>\nCartel S.L, Ikusmen<\/td>\n<\/tr>\n
Taxi<\/td>\n1996<\/td>\nCarlos Saura<\/td>\nFilmart, RTVE, TF1 Films Production, Canal+ Espa\u00f1a<\/td>\n<\/tr>\n
Cosas que dej\u00e9 en La Habana<\/td>\n1997<\/td>\nManuel Guti\u00e9rrez Arag\u00f3n<\/td>\nSogetel, Tornasol Films<\/td>\n<\/tr>\n
En la puta calle<\/td>\n1997<\/td>\nEnrique Gabriel<\/td>\nA.T.P.I.P. Producciones, Trastorno Films<\/td>\n<\/tr>\n
El sudor de los ruise\u00f1ores<\/td>\n1998<\/td>\nJuan Manuel Cotelo<\/td>\nI.T.P<\/td>\n<\/tr>\n
Frontera Sur<\/td>\n1998<\/td>\nGerardo Herrero<\/td>\nCoproducci\u00f3n Espa\u00f1a-Argentina-Francia-Alemania; Tornasol Films, Aleph Cine S.A<\/td>\n<\/tr>\n
Flores de otro mundo<\/td>\n1999<\/td>\nIc\u00edar Bolla\u00edn<\/td>\nAlta Films<\/td>\n<\/tr>\n
Sa\u00efd<\/td>\n1999<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tom\u00e1ndote<\/td>\n2000<\/td>\nIsabel Gardela<\/td>\nProducciones Kilimanjaro<\/td>\n<\/tr>\n
Salvajes<\/td>\n2001<\/td>\nCarlos Molinero<\/td>\nBrothers & Sisters, Passion Walls, L\u00ednea Sur P.C<\/td>\n<\/tr>\n
El traje<\/td>\n2002<\/td>\nAlberto Rodr\u00edguez<\/td>\nTesela P.C<\/td>\n<\/tr>\n
La novia de L\u00e1zaro<\/td>\n2002<\/td>\nFernando Merinero<\/td>\nVendaval Producciones, Amanda Films<\/td>\n<\/tr>\n
Poniente<\/td>\n2002<\/td>\nChus Guti\u00e9rrez<\/td>\nAraba Films, Olmo Films S.L, Amboto Audiovisual<\/td>\n<\/tr>\n
Sin retorno<\/td>\n2002<\/td>\nJes\u00fas Nebot, Julia Montejo<\/td>\nCoproducci\u00f3n Espa\u00f1a-Estados Unidos; Cartel, Zokalo Entertainment<\/td>\n<\/tr>\n
Ilegal<\/td>\n2003<\/td>\nIgnacio Vilar<\/td>\nProductora Faro Lerez S.L, Via L\u00e1ctea Filmes<\/td>\n<\/tr>\n
The Other Shoe<\/td>\n2003<\/td>\nGuillermo Escalona, Joan Cuevas Pareras<\/td>\nThe Family Productions, Createle Producciones, Ficciones del Sur<\/td>\n<\/tr>\n
Las hijas de Mohamed<\/td>\n2004<\/td>\nS\u00edlvia Munt<\/td>\nCanal Sur, In Vitro Films<\/td>\n<\/tr>\n
90 millas<\/td>\n2005<\/td>\nFrancisco Rodr\u00edguez Fern\u00e1ndez<\/td>\nSateco, Cubaname<\/td>\n<\/tr>\n
Agua con sal<\/td>\n2005<\/td>\nPedro P\u00e9rez Rosado<\/td>\nCoproducci\u00f3n Espa\u00f1a-Puerto Rico;<\/td>\n<\/tr>\n
Malas temporadas<\/td>\n2005<\/td>\nManuel Mart\u00edn Cuenca<\/td>\nIberrota Films, Golem Distribuci\u00f3n<\/td>\n<\/tr>\n
Omar Mart\u00ednez<\/td>\n2005<\/td>\nPau Mart\u00ednez<\/td>\nJust Films, TV3, Adivina Producciones, Nadie es perfecto, Canal 9 Televisi\u00f3 Valenciana<\/td>\n<\/tr>\n
Princesas<\/td>\n2005<\/td>\nFernando Le\u00f3n de Aranoa<\/td>\nReposado Producciones, Mediapro, Antena 3 Televisi\u00f3n, Canal+ Espa\u00f1a<\/td>\n<\/tr>\n
Una rosa de Francia<\/td>\n2005<\/td>\nManuel Guti\u00e9rrez Arag\u00f3n<\/td>\nCoproducci\u00f3n Espa\u00f1a-Cuba; Tornasol Films, ICAIC<\/td>\n<\/tr>\n
El pr\u00f3ximo Oriente<\/td>\n2006<\/td>\nFernando Colomo<\/td>\nSogecine, Fernando Colomo P.C<\/td>\n<\/tr>\n
Un franco, 14 pesetas<\/td>\n2006<\/td>\nCarlos Iglesias<\/td>\nAdivina Producciones<\/td>\n<\/tr>\n
14 kil\u00f3metros<\/td>\n2007<\/td>\nGerardo Olivares<\/td>\nWanda Visi\u00f3n, Explora Films<\/td>\n<\/tr>\n
Masala (Mezcla)<\/td>\n2007<\/td>\nSalvador Calvo<\/td>\nTelecinco Cinema, Estudios Picasso, Flamenco Films<\/td>\n<\/tr>\n
Querida Bamako<\/td>\n2007<\/td>\nOmer Oke, Txarly Llorente<\/td>\nAbra Producciones<\/td>\n<\/tr>\n
Bajo el mismo cielo (TV)<\/td>\n2008<\/td>\nS\u00edlvia Munt<\/td>\nArray\u00e1s Producciones, In Vitro Films, Canal Sur Televisi\u00f3n, Televisi\u00f3n de Galicia (TVG)<\/td>\n<\/tr>\n
Retorno a Hansala<\/td>\n2008<\/td>\nChus Guti\u00e9rrez<\/td>\nMaestranza Films, Muac Films<\/td>\n<\/tr>\n
Catalunya \u00fcber alles!<\/td>\n2010<\/td>\nRamon T\u00e9rmens<\/td>\nSegarra Films<\/td>\n<\/tr>\n
El d\u00e9u de fusta<\/td>\n2010<\/td>\nVicente Molina Foix<\/td>\nSagrera Audiovisual, Metrojavier, DC Media<\/td>\n<\/tr>\n
Implosion (TV)<\/td>\n2010<\/td>\nS\u00f6ren Voigt<\/td>\nCoproducci\u00f3n Espa\u00f1a-Alemania;<\/td>\n<\/tr>\n
Naufragio<\/td>\n2010<\/td>\nPedro Aguilera<\/td>\nAlokatu S.L<\/td>\n<\/tr>\n
Evelyn<\/td>\n2011<\/td>\nIsabel de Ocampo<\/td>\nLa voz que yo amo<\/td>\n<\/tr>\n
Five Colors<\/td>\n2011<\/td>\nAlex Quiroga<\/td>\n<\/td>\n<\/tr>\n
La venta del para\u00edso<\/td>\n2012<\/td>\nEmilio J. Ruiz<\/td>\nIrcania Producciones<\/td>\n<\/tr>\n
El Rayo<\/td>\n2013<\/td>\nFran Ara\u00fajo, Ernesto de Nova<\/td>\nCoproducci\u00f3n Espa\u00f1a-Portugal-Marruecos;<\/td>\n<\/tr>\n
Ismael<\/td>\n2013<\/td>\nMarcelo Pi\u00f1eyro<\/td>\nAntena 3 Films, Zeta Cinema<\/td>\n<\/tr>\n
Marat\u00f3n<\/td>\n2013<\/td>\nBreog\u00e1n Riveiro<\/td>\nFormato Producciones S.L<\/td>\n<\/tr>\n
Slimane<\/td>\n2013<\/td>\nJos\u00e9 \u00c1ngel Alay\u00f3n<\/td>\n<\/td>\n<\/tr>\n
2 francos, 40 pesetas<\/td>\n2014<\/td>\nCarlos Iglesias<\/td>\nGonafilm<\/td>\n<\/tr>\n
A escondidas<\/td>\n2014<\/td>\nMikel Rueda<\/td>\nBaleuko, ETB<\/td>\n<\/tr>\n
Abayomi (S)<\/td>\n2015<\/td>\nGuillermo L\u00f3pez L\u00f3pez<\/td>\n<\/td>\n<\/tr>\n
Perdiendo el norte<\/td>\n2015<\/td>\nNacho G. Velilla<\/td>\nProducciones Aparte, Atresmedia Cine, Telef\u00f3nica Studios<\/td>\n<\/tr>\n
Barcelone Bar Barsakh (S)<\/td>\n2016<\/td>\nNacho Gil Cid De Diego, Cristina Vergara Sequeiro<\/td>\n<\/td>\n<\/tr>\n
Los objetos amorosos<\/td>\n2016<\/td>\nAdri\u00e1n Silvestre<\/td>\n<\/td>\n<\/tr>\n
Sol y luna<\/td>\n2016<\/td>\nJos\u00e9 Enrique Pintor<\/td>\n\u00c9zaro Films<\/td>\n<\/tr>\n
Lo nunca visto<\/td>\n2019<\/td>\nMarina Seresesky<\/td>\nTandem Films, Solomon Solon AIE, TVE<\/td>\n<\/tr>\n
Pullman<\/td>\n2019<\/td>\nToni Bestard<\/td>\nSingular Audiovisual, Toni Bestard P.C.<\/td>\n<\/tr>\n
A este lado del mundo<\/td>\n2020<\/td>\nDavid Trueba<\/td>\nBuenavida producciones<\/td>\n<\/tr>\n
Ad\u00fa<\/td>\n2020<\/td>\nSalvador Calvo<\/td>\nIkiru Films, La Terraza Films, Telecinco Cinema, ICAA, Mediaset Espa\u00f1a, Mogambo, Netflix<\/td>\n<\/tr>\n
La dona il\u00b7legal<\/td>\n2020<\/td>\nRamon T\u00e9rmens<\/td>\nMimesis Film, Segarra Films<\/td>\n<\/tr>\n
Mediterr\u00e1neo<\/td>\n2021<\/td>\nMarcel Barrena<\/td>\nCoproducci\u00f3n Espa\u00f1a-Grecia; Lastor Media, Fasten Films, Arcadia Motion Pictures, Cados Producciones, Heretic, TVE, Movistar+, TV3<\/td>\n<\/tr>\n
El salto<\/td>\n2022<\/td>\nLlu\u00eds Qu\u00edlez<\/td>\nCine365 Films<\/td>\n<\/tr>\n
Vasil<\/td>\n2022<\/td>\nAvelina Prat<\/td>\nCoproducci\u00f3n Espa\u00f1a-Bulgaria; Distinto Films, Activist38, TVE, TV3<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Title Year Direction Producer Las cartas de Alou 1990 Montxo Armend\u00e1riz El\u00edas Querejeta El techo del mundo 1994 Felipe Vega Coproducci\u00f3n Espa\u00f1a-Suiza-Francia; Marea Films, Samsa Film, Cocodrile Productions, Roehrich y Asociados Bwana 1996 Imanol Uribe Aurum, Cartel, Origen PC Lucrecia 1996 Mariano Barroso Aurum; Central de Producciones Audiovisuales S.L.; Max TV Menos que cero 1996… Leer m\u00e1s acerca de Fiction<\/span><\/a><\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[],"tags":[],"class_list":{"0":"post-679","1":"page","2":"type-page","3":"status-publish","5":"entry"},"_links":{"self":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/comments?post=679"}],"version-history":[{"count":1,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/679\/revisions"}],"predecessor-version":[{"id":680,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/679\/revisions\/680"}],"wp:attachment":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/media?parent=679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/categories?post=679"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/tags?post=679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}