{"id":710,"date":"2022-11-02T14:32:20","date_gmt":"2022-11-02T13:32:20","guid":{"rendered":"https:\/\/blogs.ugr.es\/migra-cin-es\/?page_id=710"},"modified":"2022-11-02T14:32:20","modified_gmt":"2022-11-02T13:32:20","slug":"libri-2","status":"publish","type":"page","link":"https:\/\/blogs.ugr.es\/migra-cin-es\/it\/libri-2\/","title":{"rendered":"Libri"},"content":{"rendered":"<h3><\/h3>\n<p>&nbsp;<\/p>\n<div>\n<h3 style=\"text-align: center\">Pubblicazioni in formato \u00ablibro accademico\u00bb (citazione APA 7) sul cinema migratorio spagnolo in ordine alfabetico per cognome del primo autore<\/h3>\n<p>&nbsp;<\/p>\n<div>\n<p>AA.VV. (1998). <i>Grita igualda. Contra el racismo, la xenofobia y la violencia<\/i>. Centro de Profesores y Recursos de Avil\u00e9s.<\/p>\n<\/div>\n<div>\n<p>Arana Mariscal, R. (2007). <i>La inmigraci\u00f3n en clave de comedia<\/i>. <span lang=\"EN-US\">Bakeaz.<\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">Ballesteros, I. (2015). <i>Immigration Cinema in the New Europe<\/i>. Intellect Books.<\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">Barker, J. (2017). <i>Affect and belonging in contemporary Spanish fiction and film: Crossroads visions<\/i>. Palgrave Macmillan. <\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">Berger, V., &amp; Komori, M. (2010). <i>Polyglot cinema: migration and transcultural narration in France, Italy, Portugal and Spain<\/i>. <\/span>Lit.<\/p>\n<\/div>\n<div>\n<p>Black, K. K. (2016). <i>El Otro en la pantalla El cine del (in)migrante en Argentina y Espa\u00f1a<\/i>. Imago Mundi.<\/p>\n<\/div>\n<div>\n<p>Cantero-Exojo, M., Van Liew, M. L., &amp; Su\u00e1rez Fern\u00e1ndez, J. C. (Eds.). (2012). <i>Fotogramas para la multiculturalidad: migraciones y alteridad en el cine espa\u00f1ol contempor\u00e1neo<\/i>. Tirant lo Blanch.<\/p>\n<\/div>\n<div>\n<p>Carretero Palacios, A. (2014). <i>Migraciones y g\u00e9nero. La feminizaci\u00f3n de la migraci\u00f3n transnacional<\/i>.<\/p>\n<\/div>\n<div>\n<p>Castiello Costales, J. M. (2006). <i>Los parias de la tierra: inmigrantes en el cine espa\u00f1ol<\/i>. Talasa.<\/p>\n<\/div>\n<div>\n<p>Castiello Costales, J. M. (2010). <i>Con maletas de cart\u00f3n. La emigraci\u00f3n espa\u00f1ola en el cine<\/i>. Gakoa y Ministerio de Cultura de Espa\u00f1a.<\/p>\n<\/div>\n<div>\n<p>Corbala\u0301n, A. M., &amp; Mayock, E. C. (Eds.). <span lang=\"EN-US\">(2015). <i>Toward a multicultural configuration of Spain: local cities, global spaces<\/i>. <\/span>Fairleigh Dickinson UP.<\/p>\n<\/div>\n<div>\n<p>Cornejo Parriego, R., &amp; Goytisolo, J. (Eds.). (2007). <i>Memoria colonial e inmigraci\u00f3n: la negritud en la Espa\u00f1a posfranquista<\/i>. <span lang=\"EN-US\">Edicions Bellaterra.<\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">Deveny, T. G. (2012). <i>Migration in Contemporary Hispanic Cinema<\/i>. <\/span>Scarecrow Press.<\/p>\n<\/div>\n<div>\n<p>Feenstra, P., &amp; Hermans, H. (Eds.). (2008). <i>Miradas sobre pasado y presente en el cine espa\u00f1ol (1990-2005)<\/i>. <span lang=\"EN-US\">Rodopi.<\/span><\/p>\n<\/div>\n<div>\n<p>Fouz Hern\u00e1ndez, S., &amp; Mart\u00ednez Exp\u00f3sito, A. (2007). <i><span lang=\"EN-US\">Live Flesh: The Male Body in Contemporary Spanish Cinema<\/span><\/i><span lang=\"EN-US\">. I.B.Tauris &amp; Co. Ltd. <\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">Guill\u00e9n Mar\u00edn, C. (2018). <i>Migrants in Contemporary Spanish Film<\/i>. <\/span>Routledge.<\/p>\n<\/div>\n<div>\n<p>Iglesias Santos, M. (Ed.). (2010). <i>Im\u00e1genes del otro: identidad e inmigraci\u00f3n en la literatura y el cine<\/i>. <span lang=\"EN-US\">Biblioteca Nueva. <\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">Jimenez Murgu\u00eda, S., &amp; Pinar, A. (Eds.). (2018). <i>The Encyclopedia of Contemporary Spanish Films<\/i>. <\/span>Rowman &amp; Littlefield.<\/p>\n<\/div>\n<div>\n<p>Juan-Navarro, S., &amp; Torres-Pou, J. (2010). <i>Nuevas aproximaciones al cine hisp\u00e1nico. Migraciones temporales, textuales y \u00e9tnicas en el bicentenario de las independencias iberoamericanas (1810-2010)<\/i>. <span lang=\"EN-US\">PPU.<\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">Kinder, M. (1997). <i>Refiguring Spain: cinema, media, representation<\/i> (M. Kinder (Ed.)). Duke University Press. <\/span><\/p>\n<\/div>\n<div>\n<p>Mart\u00ed-Olivella, J. (2003). <i>Basque cinema<\/i>. Centro para estudios Vasco-Universidad de Nevada, Reno.<\/p>\n<\/div>\n<div>\n<p>Moyano Zamora, E. (2016). <i>La piel quemada: cine y emigraci\u00f3n<\/i>. La Torre.<\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">O\u2019Byrne, P., Carty, G., &amp; Thornton, N. (2010). <i>Transcultural encounters amongst women: redrawing boundaries in Hispanic and Lusophone art, literature and film<\/i>. <\/span>Cambridge Scholars.<\/p>\n<\/div>\n<div>\n<p>Pe\u00f1a Delgado, J. I., &amp; Trapiello S\u00e1nchez, M. (Eds.). (2003). <i>El valor de la diversidad en el cine como recursos did\u00e1cticos en la educaci\u00f3n intercultural<\/i>. Federaci\u00f3n Espa\u00f1ola de Religiosos de la Ense\u00f1anza.<\/p>\n<\/div>\n<div>\n<p>Peralta Garc\u00eda, L. (2016). <i>Los nuevos h\u00e9roes del siglo XXI. Las migraciones subsaharianas vistas por el cine en Espa\u00f1a y \u00c1frica<\/i> (Editorial UOC (Ed.)).<\/p>\n<\/div>\n<div>\n<p>P\u00e9rez Bouza, J. A., &amp; P\u00e9rez, G. (2007). <i>El cine espa\u00f1ol en el aula<\/i> (J. A. P\u00e9rez Bouza &amp; G. P\u00e9rez (Eds.)). Ediciones Hispanogalia.<\/p>\n<\/div>\n<div>\n<p>P\u00e9rez, J. (2021). <i>Fashioning Spanish Cinema<\/i>. University of Toronto Press.<\/p>\n<\/div>\n<div>\n<p>Pi\u00f1ol Lloret, M. (2020). <i>Con las maletas a otra parte. La emigraci\u00f3n espa\u00f1ola hacia Europa en el cine<\/i>. Sans Soleil.<\/p>\n<\/div>\n<div>\n<p>Pi\u00f1ol-Lloret, M. (2019). <i>Europa como refugio. Reflejos f\u00edlmicos de los exilios espa\u00f1oles (1939-2016)<\/i>. Edicions de la Universitat de Barcelona.<\/p>\n<\/div>\n<div>\n<p>Pohl, B., &amp; T\u00fcrschmann, J. (Eds.). (2007). <i>Miradas glocales. Cine espa\u00f1ol en el cambio de milenio<\/i>. Iberoamericana. Vervuert.<\/p>\n<\/div>\n<div>\n<p>Rakaseder, J. (2013). <i>Las mujeres, protagonistas de la inmigraci\u00f3n hispanoamericana en el cine y la literatura contempor\u00e1neos de Espa\u00f1a<\/i>. Lit.<\/p>\n<\/div>\n<div>\n<p>Rodr\u00edguez P\u00e9rez, M. P. (2012). <i>Exilio y cine<\/i>. Deusto.<\/p>\n<\/div>\n<div>\n<p>Rueschmann, E. (2003). <i><span lang=\"EN-US\">Moving Pictures, Migrating Identities<\/span><\/i><span lang=\"EN-US\">. University Press of Mississippi.<\/span><\/p>\n<\/div>\n<div>\n<p>S\u00e1nchez-Conejero, C. (Ed.). (2006). <i>Literatura y cine de la globalizaci\u00f3n<\/i>. <span lang=\"EN-US\">Pliegos.<\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">S\u00e1nchez-Conejero, C. (Ed.). (2007). <i>Spanishness in the Spanish novel and cinema of the 20th-21st century<\/i>. Cambridge Scholars.<\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">S\u00e1nchez-Conejero, C. (2015). <i>Sex and Ethics in Spanish Cinema<\/i>. Palgrave Macmillan US. <\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">Santaolalla Ram\u00f3n, I. (Ed.). (2000). <i>\u00abNew\u00bb Exoticisms Changing Pattems in the Construction of Othemess<\/i>. Rodopi.<\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">Triana-Toribio, N. (2012). <i>Spanish National Cinema<\/i>. Routledge. <\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">Vega Dur\u00e1n, R. (2016). <i>Emigrant dreams, Immigrant borders. Migrants, Transnational Encounters, and Identity in Spain<\/i>.<\/span><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\">Williams, J. (2020). <i>Queering the Migrant in Contemporary European Cinema<\/i>. <\/span>Routledge.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Pubblicazioni in formato \u00ablibro accademico\u00bb (citazione APA 7) sul cinema migratorio spagnolo in ordine alfabetico per cognome del primo autore &nbsp; AA.VV. (1998). Grita igualda. Contra el racismo, la xenofobia y la violencia. Centro de Profesores y Recursos de Avil\u00e9s. Arana Mariscal, R. (2007). La inmigraci\u00f3n en clave de comedia. Bakeaz. Ballesteros, I. (2015).&hellip; <a href=\"https:\/\/blogs.ugr.es\/migra-cin-es\/it\/libri-2\/\" class=\"more-link\">Leer m\u00e1s <span class=\"screen-reader-text\">acerca de Libri<\/span><\/a><\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[],"tags":[],"class_list":{"0":"post-710","1":"page","2":"type-page","3":"status-publish","5":"entry"},"_links":{"self":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/710","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/comments?post=710"}],"version-history":[{"count":1,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/710\/revisions"}],"predecessor-version":[{"id":711,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/pages\/710\/revisions\/711"}],"wp:attachment":[{"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/media?parent=710"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/categories?post=710"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ugr.es\/migra-cin-es\/wp-json\/wp\/v2\/tags?post=710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}