{"id":501,"date":"2021-09-23T14:08:56","date_gmt":"2021-09-23T12:08:56","guid":{"rendered":"https:\/\/blogs.ugr.es\/xiiiaiecm3\/?page_id=501"},"modified":"2021-11-05T11:44:39","modified_gmt":"2021-11-05T10:44:39","slug":"programa-posters","status":"publish","type":"page","link":"https:\/\/blogs.ugr.es\/xiiiaiecm3\/programa-posters\/","title":{"rendered":"Programa Posters"},"content":{"rendered":"<p style=\"text-align: center\"><strong>PROGRAMA POSTERS<\/strong><\/p>\n<p>Accesible para descarga: <a href=\"https:\/\/blogs.ugr.es\/xiiiaiecm3\/wp-content\/uploads\/sites\/92\/2021\/11\/Programa_Poster_sp.pdf\">Programa_Poster_sp<\/a><\/p>\n<p><strong><u>LUNES 8 DE NOVIEMBRE (TARDE)<\/u><\/strong><\/p>\n<p><strong><u>\u00a0<\/u><\/strong><\/p>\n<p><strong>SESI\u00d3N 1-1: PATRONES DE CONSUMO CER\u00c1MICO (9)<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<table width=\"874\">\n<tbody>\n<tr>\n<td width=\"293\">Toni FERN\u00c1NDEZ ESPINOSA, Nuria MIR\u00d3 i ALAIX, Vanesa TRIAY OLIVES<\/td>\n<td width=\"581\">La cer\u00e1mica de los niveles del siglo XIII, hallados en la Casa Santmart\u00ed. El Born CCM, Barcelona.<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Sophie GILOTTE, Yasmina C\u00c1CERES GUTI\u00c9RREZ<\/td>\n<td width=\"581\">Las pesas de red cer\u00e1micas del siglo XII del yacimiento de Albalat (C\u00e1ceres).<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Maria de F\u00e1tima PALMA<\/td>\n<td width=\"581\">Pottery in rural contexts of Garb al-Andalus: the territory of M\u00e9rtola between the 8<sup>th<\/sup>and 13th centuries.<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">S\u00e9rgio ROSA, Telmo ANT\u00d3NIO, Jo\u00e3o ARA\u00daJO, Rodrigo BANHA DA SILVA, Andr\u00e9 TEIXEIRA<\/td>\n<td width=\"581\">Ceramics of Almada (Portugal): technical, formal and decorative evolution patterns between Late Middle Ages and the Early Modern Period.<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Miguel MARTINS DE SOUSA, Adriana GOMES, Catarina PARREIRA, \u00cdris FRAGOSO, In\u00eas BEL\u00c9M<\/td>\n<td width=\"581\">\u2018Clay Cannabis Pipes\u2019? Interpretative Approach between Archaeological and Historical Sources on Cannabis and the Clay Smoking Pipes in the Iberian Peninsula from the Medieval to the Early Modern Periods.<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Sara da Cruz FERREIRA, Andr\u00e9 BARG\u00c3O, Catarina FEL\u00cdCIO, Filipe SOUSA, Rodrigo BANHA DA SILVA<\/td>\n<td width=\"581\">Ligurian maiolica from the 17th and 18th centuries in Lisbon (Portugal): the case study of Mercado da Ribeira.<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Fabienne\u00a0RAVOIRE<\/td>\n<td width=\"581\">Approvisionnement et diffusion des c\u00e9ramiques modernes en Provence orientale\u00a0\u00e0 travers les donn\u00e9es arch\u00e9ologiques\u00a0antiboises.<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Nicolas\u00a0ATTIA<\/td>\n<td width=\"581\">Premier aper\u00e7u de l\u2019approvisionnement et de la consommation de la c\u00e9ramique \u00e0 Aix-en-Provence au premier Moyen-\u00c2ge (IXe-XIe s.).<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Angelo CASTRORAO BARBA, Filippo PISCIOTTA, Giuseppe MONTANA, Maurizio GASPARO MORTICELLI, Roberto MICCICH\u00c8, Carla ALEO NERO, Pasquale MARINO, Giuseppe BAZAN<\/td>\n<td width=\"581\">Early Medieval pottery and production in the rural settlement of Contrada Castro (Western Sicily)<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Jaume COLL CONESA, Sara PUGGIONI, Bence K\u00d3VACS, Hugo DEL POZO<\/td>\n<td width=\"581\">Contextos del Barri dels Obradors y aproximaci\u00f3n a la cronolog\u00eda de las producciones cer\u00e1micas de Manises<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>MARTES 9 DE NOVIEMBRE (MA\u00d1ANA)<\/u><\/strong><\/p>\n<p><strong><u>\u00a0<\/u><\/strong><\/p>\n<p><strong>SESI\u00d3N 1-2: PATRONES DE CONSUMO CER\u00c1MICO (10)<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<table width=\"874\">\n<tbody>\n<tr>\n<td width=\"217\"><\/td>\n<td width=\"657\">Consumo cer\u00e1mico en el sureste de la Pen\u00ednsula Ib\u00e9rica a principios del siglo XVI. Vera, Almer\u00eda.<\/td>\n<\/tr>\n<tr>\n<td width=\"217\">Jos\u00e9 Luis MEN\u00c9NDEZ FUEYO, Joaquin PINA MIRA<\/td>\n<td width=\"657\">Marcar la cer\u00e1mica. Una aproximaci\u00f3n a las cer\u00e1micas con grafffiti en la Pobla de Ifach (Calp, Alicante)<\/td>\n<\/tr>\n<tr>\n<td width=\"217\">Salvina FIORILLA, Annamaria SAMMITO<\/td>\n<td width=\"657\">Le importazioni spagnole nella contea di Modica (Sicilia).<\/td>\n<\/tr>\n<tr>\n<td width=\"217\">Deyan RABOVYANOV<\/td>\n<td width=\"657\">The appearance of new kitchenware and the introduction of new food culture in Bulgaria during the Ottoman period (15th \u2013 17th c.).<\/td>\n<\/tr>\n<tr>\n<td width=\"217\">Constantin \u0218OVA<\/td>\n<td width=\"657\">Changing pottery. An analytical look at a type of tableware from Dobruja (8th &#8211; 12th centuries).<\/td>\n<\/tr>\n<tr>\n<td width=\"217\">Vladimir Y. KOVAL<\/td>\n<td width=\"657\">Spanish Lustreware in the forest zone of Eastern Europe.<\/td>\n<\/tr>\n<tr>\n<td width=\"217\">Mink van IJZENDOORN, Joanita VROOM, Reinder REINDERS<\/td>\n<td width=\"657\">The closed Sea and the Open Market: Pottery and Socioeconomic Changes in the Late Byzantine\/Frankish Aegean (12<sup>th<\/sup>-15<sup>th<\/sup> Cent. AD).<\/td>\n<\/tr>\n<tr>\n<td width=\"217\">\u00d6zg\u00fc \u00c7\u00f6mezo\u011flu UZBEK<\/td>\n<td width=\"657\">Glazed White Ware from Damatris Palace in Istanbul.<\/td>\n<\/tr>\n<tr>\n<td width=\"217\">Nikita I. IUDIN<\/td>\n<td width=\"657\">Iranian luster painted pottery of the 2nd half of the XIII-XIV cc. in Eastern Europe.<\/td>\n<\/tr>\n<tr>\n<td width=\"217\">Jaquelina COVANEIRO, Sandra CAVACO,<\/td>\n<td width=\"657\">O almofariz, o seu contributo para a cozinha e a mesa em \u00e9poca medieval.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MARTES 9 DE NOVIEMBRE (TARDE)<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>SESI\u00d3N 2-1: PRODUCCI\u00d3N Y TECONOLOG\u00cdA CER\u00c1MICA (9)<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<table width=\"874\">\n<tbody>\n<tr>\n<td width=\"208\">Rafael J. PEDREGOSA MEG\u00cdAS, David G\u00d3MEZ COMINO, Jos\u00e9 Javier \u00c1LVAREZ GARC\u00cdA<\/td>\n<td width=\"666\">Madinat Lawsa: cer\u00e1mica y restos de producci\u00f3n alfarera a ra\u00edz de la intervenci\u00f3n arqueol\u00f3gica realizada en el Huerto de Mar\u00eda Ruiz, Loja (Granada).<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Diana VEGA ALMAZ\u00c1N, F\u00e9lix TEICHNER<\/td>\n<td width=\"666\">Cer\u00e1mica medieval y moderna de la iglesia de Santa Luc\u00eda (Andaluz, Soria). Estudio tipol\u00f3gico.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Javier MART\u00cdNEZ-GONZ\u00c1LEZ, Sol L\u00d3PEZ ANDR\u00c9S, Luis Carlos JUAN TOVAR, Manuel RETUERCE VELASCO, Rosario CEBRI\u00c1N FERN\u00c1NDEZ<\/td>\n<td width=\"666\">Caracterizaci\u00f3n arqueom\u00e9trica de cer\u00e1micas procedentes de La Mara\u00f1osa (San Mart\u00edn de la Vega, Madrid). Datos preliminares.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">M\u00aa Antonia MART\u00cdNEZ N\u00da\u00d1EZ, Carmen \u00cd\u00d1IGUEZ<\/td>\n<td width=\"666\">Las series cer\u00e1micas funerarias de \u00e9poca nazar\u00ed en M\u00e1laga<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Catherine RICHART\u00c9<\/td>\n<td width=\"666\">Les vaisselles gla\u00e7ur\u00e9es des \u00e9paves arabo-islamiques de Provence: Entre technologie et commerce (fin IXe-Xe s.).<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Pamela ARMSTRONG, Mariya MANOLOVA-VOYKOVA, A. RICCI, Carmen TING, R. WOHMANN<\/td>\n<td width=\"666\">White Ware production in Preslav, Nikomedia and Constantinople: a technological study.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Belgin DEMIRSAR ARLI, Sennur KAYA, G\u00fclsu SIMSEK FRANCI, Hakan ARLI<\/td>\n<td width=\"666\">A group of Medieval Byzantine Ceramics (Zeuxzippos Ware) and its pXRF analysis.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Vicente BARBA COLMENERO, Jos\u00e9 Manuel ALBA G\u00d3MEZ<\/td>\n<td width=\"666\">Los talleres de cer\u00e1mica de \u00e9poca bizantina en la regi\u00f3n de Asu\u00e1n (Egipto).<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">A. P. PANAGOPOULOU, J. VROOM, A. HEIN, V. KILIKOGLOU<\/td>\n<td width=\"666\">K\u00fctahya wares versus porcelain in Mytilene &#8211; original manufacturing technology or a \u201cpeasent porcelain\u201d?.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>MIERCOLES 9 DE NOVIEMBRE (TARDE)<\/u><\/strong><\/p>\n<p><strong><u>\u00a0<\/u><\/strong><\/p>\n<p><strong><u>SESI\u00d3N 2-2: <\/u><\/strong><strong>PRODUCCI\u00d3N Y TECONOLOG\u00cdA CER\u00c1MICA (9)<\/strong><\/p>\n<p><strong><u>\u00a0<\/u><\/strong><\/p>\n<p>&nbsp;<\/p>\n<table width=\"874\">\n<tbody>\n<tr>\n<td width=\"208\">Laura APARICIO, Ihssane SERRAT, Elena SALINAS, Imane ENNI, Ghailane HAFSA<\/td>\n<td width=\"666\">Nuevos tipos de iluminaci\u00f3n andalus\u00edes-magreb\u00edes almohades: \u00bftransmisi\u00f3n del conocimiento o influencia bidireccional?.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Massimo BELTRAME, Susana G\u00d3MEZ MART\u00cdNEZ, Jos\u00e9 MIR\u00c3O<\/td>\n<td width=\"666\">Estudo anal\u00edtico de um conjunto de cer\u00e2micas de reflexo met\u00e1lico de \u00e9poca Isl\u00e2mica (s\u00e9cs.\u00a0XI-XIII d.C.), procedentes de M\u00e9rtola (Portugal meridional).<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Jean-Louis VAYSSETTES, Henri AMOURIC<\/td>\n<td width=\"666\">Images des invisibles: femmes et enfants dans les ateliers de c\u00e9ramiques en France m\u00e9diterran\u00e9enne: fin XIXe-d\u00e9but XXe si\u00e8cle.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Guergana\u00a0GUIONOVA<\/td>\n<td width=\"666\">Entre industrie et beaux-arts: la lithophanie, un objet rare en arch\u00e9ologie moderne.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">S. Y. WAKSMAN, D. PAPANIKOLA-BAKIRTZI<\/td>\n<td width=\"666\">Potters in between Nicosia and Lapithos (Cyprus): archaeological and archaeometric evidence from the Vitonos excavations (Nicosia).<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Aikaterini PEPPA<\/td>\n<td width=\"666\">La c\u00e9ramique \u00abslave\u00bb revisit\u00e9e: R\u00e9sultat d&#8217;une rencontre interculturelle ou d&#8217;une \u00e9conomie pr\u00e9caire?.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Georgia GIANNAKI<\/td>\n<td width=\"666\">Early Glazed Pottery from Byzantine Greece.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Torbj\u00f6rn BRORSSON<\/p>\n<p>&nbsp;<\/td>\n<td width=\"666\">Analyses of terracotta figurines and pottery from the sanctuary at Ajia Irini, Cyprus.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Javier I\u00d1\u00c1\u00d1EZ, Ricardo COSTEIRA DA SILVA, Gorka ARANA<\/td>\n<td width=\"666\"><em>Oleiro e Malegueiro<\/em>: Arqueolog\u00eda y Arqueometr\u00eda de la producci\u00f3n cer\u00e1mica en Coimbra (ss. XVI-XVII)<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>JUEVES 11 DE NOVIEMBRE (MA\u00d1ANA)<\/u><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>SESI\u00d3N 3: TEOR\u00cdA Y M\u00c9TODO EN EL ESTUDIO DE LA CER\u00c1MICA MEDIEVAL Y MODERNA (5)<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<table width=\"874\">\n<tbody>\n<tr>\n<td width=\"208\">Esther TRAV\u00c9 ALLEPUZ, Sonia MEDINA GORDO<\/td>\n<td width=\"666\">Data-modelling for interdisciplinary landscape analysis of pottery production in medieval and postmedieval Catalonia: An integrated approach to Material science, Statistics, Data management and Mapping.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Fernando MART\u00cdNEZ \u00c1VILA, Teresa KOFFLER URBANO<\/td>\n<td width=\"666\">Dataci\u00f3n mediante termoluminiscencia de materiales constructivos en la Alhambra.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Adreia RODRIGUES<\/td>\n<td width=\"666\">Una propuesta tipol\u00f3gica de la cer\u00e1mica bajomedieval del Algarve: las fuentes y el registro arqueol\u00f3gico.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Arianna BRIANO<\/td>\n<td width=\"666\">Metodologie integrate per un nuovo approccio di studio alla classe delle invetriate in monocottura alto medievali della Toscana.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Cristina TALMA\u021aCHI, Bekhzodjon A. ABDURAKHINOV, Sergey E. KICHANOV, Constantin \u0218OVA, Maria B\u01cdL\u01cd\u0218OIU, Marius C\u0103lin BELC<\/td>\n<td width=\"666\">The experience of using neutron scattering methods in the study of Byzantine Ceramics from Constan\u021ba.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>VIERNES 12 DE NOVIEMBRE (MA\u00d1ANA)<\/u><\/strong><\/p>\n<p><strong><u>\u00a0<\/u><\/strong><\/p>\n<p><strong>SESI\u00d3N 4-1: SIGNIFICADO SOCIAL DE LAS PRODUCCIONES CER\u00c1MICAS (9)<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<table width=\"874\">\n<tbody>\n<tr>\n<td width=\"208\">Cristina MART\u00cdNEZ \u00c1LVAREZ, Marian REBKOWSKI, Guillermo GARC\u00cdA-CONTRERAS RUIZ, Antonio MALPICA CUELLO<\/td>\n<td width=\"666\">On the edges of Ilb\u012bra: Emirate and Caliphate pottery in the southern district of the madina (Granada).<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Miguel BUSTO ZAPICO, Alfonso MEN\u00c9NDEZ GRANDA, Estefan\u00eda S\u00c1NCHEZ HIDALGO, Francisco LARA PI\u00d1ERA<\/td>\n<td width=\"666\">Ceramics from an urban palace in a fishing village in the north western part of the Iberian Peninsula: La Casa del Cerc\u00e1u in Llanes (Asturias, Spain).<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Ricardo COSTEIRA DA SILVA<\/td>\n<td width=\"666\">A traditional Portuguese type of pottery: the inlaid quartz decorated ware from Coimbra (16th\u00a0\u2013 17th\u00a0centuries).<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Ricardo COSTEIRA DA SILVA, Ant\u00f3nio PACHECO<\/td>\n<td width=\"666\">A fancy way of drinking\u2026water: high relief pottery from the 2nd half of the 16th century in Coimbra and Aveiro (Portugal).<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Paulo DORDIO, Javier LARRAZABAL GALARZA, Beatriz B\u00c1EZ GARZ\u00d3N<\/td>\n<td width=\"666\">Uma produ\u00e7\u00e3o de cer\u00e2mica vermelha pintada do s\u00e9culo XVII proveniente das escava\u00e7\u00f5es arqueol\u00f3gicas do Mosteiro de Santa Clara a Velha de Coimbra.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Rui Filipe GIL, Lu\u00edsa BATALHA<\/td>\n<td width=\"666\">Las Cer\u00e1micas de Importaci\u00f3n como Reflejo de la Estrategia de Independencia Econ\u00f3mica de una Comunidad Pesquera &#8211; El caso del Castillo de Sesimbra.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Jeannette ROSE ALBRECHT<\/td>\n<td width=\"666\">Parement c\u00e9ramique et g\u00e9om\u00e9trie, une rencontre\u00a0interculturelle. De l&#8217;espace ornemental \u00e0 l&#8217;espace pictural, succ\u00e8s du motif \u00ab\u00a0\u00e9toile croix\u00a0\u00bb dans l&#8217;art islamique et chr\u00e9tien, XIIe-XVe si\u00e8cles.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Henri AMOURIC, Lucy VALLAURI<\/td>\n<td width=\"666\">D\u00e9cors h\u00e9raldiques catalans du XVIIe si\u00e8cle en Provence : le miroir d\u2019orgueil des Forbin.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>VIERNES 12 DE NOVIEMBRE (TARDE)<\/u><\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>SESI\u00d3N 4-2: SIGNIFICADO SOCIAL DE LAS PRODUCCIONES CER\u00c1MICAS (9)<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<table width=\"874\">\n<tbody>\n<tr>\n<td width=\"208\">Rosa Mar\u00eda CUCCO, Antonio DI MAGGIO,<\/td>\n<td width=\"666\">L\u2019Abbazia normanna di S. Giorgio di Gratteri: dall\u2019et\u00e0 bizantina ad et\u00e0 contemporanea. Storia di trasformazioni edilizie e nella destinazione d\u2019uso.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Rosa Mar\u00eda CUCCO, Filipo IANN\u00cc<\/td>\n<td width=\"666\">Scavi sulla Rocca di Sciara e sulla Terravecchia di Caltavuturo (PA): l\u2019importanza della ceramica come indicatore sociale e commerciale.<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Iryna TESLENKO<\/td>\n<td width=\"666\">Ceramic in burial practice of Byzantine Northern periphery in Palaiologos\u2019 era (Crimea, Northern Black Sea Region).<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Angeliki\u00a0PANOPOULOU, Anastasia\u00a0YANGAKI<\/td>\n<td width=\"666\">The archival evidence as a source on the\u00a0life-cycles\u00a0of ceramic objects: snapshots from documents on Venetian Crete<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Maria TYMOSHENKO<\/td>\n<td width=\"666\">Glazed Pottery Decor as a Reflection of Daily Life. The Case Study of Human Representation from the 13th century Shipwreck from Novy Svet (Sudak, Crimea).<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Anastasia VASSILIOU<\/td>\n<td width=\"666\">Multiple aspects of reuse in Middle Byzantine glazed pottery from Argos<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Sergei G. BOCHAROV, Nikita I. IUDIN, Andrey N. MASLOVSKI<\/td>\n<td width=\"666\">Finds of celadon and its imitations on the territory of the European part of the Golden Horde<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Diliara ALIADINOVA<\/td>\n<td width=\"666\">One of the groups of early Ottoman glazed ceramics of Crimea, problems of origin<\/td>\n<\/tr>\n<tr>\n<td width=\"208\">Sophia GERMANIDOU<\/td>\n<td width=\"666\">Ceramic pigeon nests<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>S\u00c1BADO 13 DE NOVIEMBRE (MA\u00d1ANA)<\/u><\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>SESI\u00d3N 5-1: NUEVOS DESCUBRIMIENTOS (15)<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"302\">Pilar LAFUENTE IB\u00c1\u00d1EZ<\/td>\n<td width=\"520\">Una forma cer\u00e1mica de dif\u00edcil identificaci\u00f3n: partidores de agua de \u00e9poca almohade.<\/td>\n<\/tr>\n<tr>\n<td width=\"302\">Florence RICHEZ<\/td>\n<td width=\"520\">Derni\u00e8res d\u00e9couvertes dans le domaine public maritime fran\u00e7ais<\/td>\n<\/tr>\n<tr>\n<td width=\"302\">Vincenzo CASTALDO, Girolamo Ferdinando DE SIMONE, Mario CESARANO<\/td>\n<td width=\"520\">Medieval and Post-Medieval ceramics from Campania: the pottery assemblages from the Medieval Castle and the territory of Roccarainola in the Ager Nolanus.<\/td>\n<\/tr>\n<tr>\n<td width=\"302\">Fabrizio SUDANO, Eugenio DONATO, Cristiana LA SERRA, Fabio LICO<\/td>\n<td width=\"520\">La ceramica bassomedievale a Soriano Calabro (VV, Calabria). Il contesto di loc. Casalini<\/td>\n<\/tr>\n<tr>\n<td width=\"302\">Matteo G. RANDAZZO<\/td>\n<td width=\"520\">Un\u2019assortita batteria da cucina nella Sicilia di fine XII-XIV secolo.\u00a0 Nuovi dati sull\u2019apparato morfologico delle ceramiche da cucina con rivestimento piombifero parziale (cosiddette \u201cMessina Ware\u201d) dal Castello di Lombardia di Enna.<\/td>\n<\/tr>\n<tr>\n<td width=\"302\">Enrico DIRMINTI, Gianluigi MARRAS, Alessandra PUSOLE<\/td>\n<td width=\"520\">Baunei (Sardegna centro-orientale): dati\u00a0 archeologici sulla circolazione ceramica dal XIV al XX secolo<\/td>\n<\/tr>\n<tr>\n<td width=\"302\">Iryna TESLENKO, Yona WAKSMAN<\/td>\n<td width=\"520\">Glazed pottery from the excavation in Akkerman (Bilgorod-Dnistrovskyi, Ukraine), preliminary results of archaeological and archaeometric study<\/td>\n<\/tr>\n<tr>\n<td width=\"302\">Galina GROZDANOVA<\/td>\n<td width=\"520\">A View from the Inland: Middle Byzantine Ceramics from Orlovo Site, at the Northern Foothills of the Rhodope Mountain<\/td>\n<\/tr>\n<tr>\n<td width=\"302\">Evelina TODOROVA<\/td>\n<td width=\"520\">Ceramic assemblage from the Middle Byzantine period from Bona Mansio, NW Thrace<\/td>\n<\/tr>\n<tr>\n<td width=\"302\">Natalia GINKUT<\/td>\n<td width=\"520\">The Fourteenth and Fifteenth Century Glazed Vessels Made in Byzantium and the Crimea with Underglaze Inscriptions and Monograms Excavated at Cherson and Cembalo Fortress<\/td>\n<\/tr>\n<tr>\n<td width=\"302\">Cristina TALMA\u021aCHI<\/td>\n<td width=\"520\">Byzantine Pottery from the excavation of the H\u00e2r\u0219ova fortress (Romania)<\/td>\n<\/tr>\n<tr>\n<td width=\"302\">Andra SAMSON<\/td>\n<td width=\"520\">Ceramics floor tiles from Moldavia in the 15th century<\/td>\n<\/tr>\n<tr>\n<td width=\"302\">R. VALENTE, M. JACKSON, C. DIAMANTI, M. DUGGAN, H. INDGJAERD, V. CASTALDO<\/td>\n<td width=\"520\">Medieval glazed ware from the Apalirou Environs Survey Project<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>S\u00c1BADO 13 DE NOVIEMBRE (TARDE)<\/u><\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>SESI\u00d3N 5-2: NUEVOS DESCUBRIMIENTOS (14)<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<table width=\"874\">\n<tbody>\n<tr>\n<td width=\"293\">Yasmina C\u00c1CERES GUTI\u00c9RREZ<\/td>\n<td width=\"581\">Las cazuelas nazar\u00edes de la Alcazaba de Almer\u00eda<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Jos\u00e9 Pedro HENRIQUES, Vanessa FILIPE<\/td>\n<td width=\"581\">Out of context objects and their significance. Presence of Iranian ceramic in Lisbon.<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Elisabetta UGAGLIA<\/td>\n<td width=\"581\">Late Antique and Early Medieval pottery from Palazzo Mazzola (Asti, Italy) Oral?<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Sergei ZELENKO, S. TSARENKO, S. IVANOV<\/td>\n<td width=\"581\">Amphora-jars from the Novy Svet shipwreck of the 9th-11th century AD<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Georgi SENGALEVICH<\/td>\n<td width=\"581\">Boukelon: first site in Bulgaria with Zeuxippus Ware as main Glazed Pottery Group<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Mariya MANOLOVA-VOYKOVA<\/td>\n<td width=\"581\">A late 13<sup>th<\/sup>-14<sup>th<\/sup> c. workshop for sgraffito pottery of Sozopol, western Black Sea coast<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Georgi SENGALEVICH<\/td>\n<td width=\"581\">Zeuxippus ware as a possible prototype of late byzantine ceramics with underglaze monograms<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Ay\u015fe \u00c7aylak T\u00dcRKER<\/td>\n<td width=\"581\">Byzantine Tegania from \u00dcst\u00fcnl\u00fc Harbor in the Hellespont<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Angelos TSOMPANIDIS and George KOUTSOUFLAKIS<\/td>\n<td width=\"581\">Plates from a shipwreck of the Late Ottoman Period off the sea of Patmos with a ceramic cargo from the \u00c7anakkale Workshops<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">George Koutsouflakis, Angelos TSOMPANIDIS<\/td>\n<td width=\"581\">A 12th century cargo of byzantine tableware found off the eastern coast of Attica<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Anna PANTI<\/td>\n<td width=\"581\">Late Byzantine Glazed Pottery from the Maroneia Cave in Aegean Thrace<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Belgin DEM\u0130RSAR ARLI, \u015eennur KAYA G\u00fclsu \u015e\u0130M\u015eEK FRANC\u0130, Hakan ARLI<\/td>\n<td width=\"581\">On-site, non-destructive studies at Iznik Tile Kilns Excavation<\/td>\n<\/tr>\n<tr>\n<td width=\"293\">Thierry JULLIEN, Abdelfattach ICHKHAKH et al<\/td>\n<td width=\"581\">Les c\u00e9ramiques du haut Moyen \u00c2ge de Rirha (Sidi Slimane, Maroc) recueillies dans l\u2019Ensemble 1 (secteur du nord-est, dit de la\u00a0<em>domus<\/em>) lors des campagnes 2012-2017<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PROGRAMA POSTERS Accesible para descarga: Programa_Poster_sp LUNES 8 DE NOVIEMBRE (TARDE) \u00a0 SESI\u00d3N 1-1: PATRONES DE CONSUMO CER\u00c1MICO (9) \u00a0 Toni FERN\u00c1NDEZ ESPINOSA, Nuria MIR\u00d3 i ALAIX, Vanesa TRIAY OLIVES La cer\u00e1mica de los niveles del siglo XIII, hallados en la Casa Santmart\u00ed. El Born CCM, Barcelona. Sophie GILOTTE, Yasmina C\u00c1CERES GUTI\u00c9RREZ Las pesas de [&hellip;]<\/p>\n","protected":false},"author":566,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-501","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ugr.es\/xiiiaiecm3\/wp-json\/wp\/v2\/pages\/501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ugr.es\/xiiiaiecm3\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ugr.es\/xiiiaiecm3\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ugr.es\/xiiiaiecm3\/wp-json\/wp\/v2\/users\/566"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ugr.es\/xiiiaiecm3\/wp-json\/wp\/v2\/comments?post=501"}],"version-history":[{"count":3,"href":"https:\/\/blogs.ugr.es\/xiiiaiecm3\/wp-json\/wp\/v2\/pages\/501\/revisions"}],"predecessor-version":[{"id":667,"href":"https:\/\/blogs.ugr.es\/xiiiaiecm3\/wp-json\/wp\/v2\/pages\/501\/revisions\/667"}],"wp:attachment":[{"href":"https:\/\/blogs.ugr.es\/xiiiaiecm3\/wp-json\/wp\/v2\/media?parent=501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ugr.es\/xiiiaiecm3\/wp-json\/wp\/v2\/categories?post=501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ugr.es\/xiiiaiecm3\/wp-json\/wp\/v2\/tags?post=501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}